George Duke The Dream Rar File

Crosswinds is the second album of. The album was released in 1974. It comprises four songs, all composed by Billy Cobham. It was used as the basis for the 's hit song '93 'til Infinity'. Wiki 's second date as a leader was one of his better sessions. Four songs (all originals by the leader/drummer) comprise 'Spanish Moss -- A Sound Portrait,' and, in addition, contributed three other pieces. The selections team him with guitarist, both of, trombonist, keyboardist, bassist, and Latin percussionist.

In general, the melodies and the vamps are reasonably memorable. Also takes an unaccompanied drum solo on 'Storm.' Worth searching for by fusion collectors. All Music Billy Cobham made this album at a pivotal point.

The original Mahavishnu Orchestra had disbanded, John McLaughlin was wallowing, and jazz purists were beginning to complain about the rock influence. Billy helped show a new direction. Crosswinds opening suite has lush and sophisticated horn arrangments, soothing a subtly intense rhythm. The effect is like night, tropical breezes, just as he wants to convey. You can almost hear the ocean, the music of the wild Caribbean (no steel drums of course, just cool). The rest of the album alternates between hot and cool, with some funky fusion and a beautiful extended piece, Heathers, near the end, featuring a trombone solo that sounds like the soundtrack to a loving and relaxing dream. The album is inspired, Billy at his creative best, showing the jazz world a new dimension that fusion had not shown before.

At 35 minutes it is a little short, but we have quality here, not quantity. This album belongs in any jazz or fusion collection. By 'Crosswinds' has been in my vinyl collection since 1974, when I first picked up a copy at King Karol Records on 42nd Street in Manhattan.

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Well, I recently became reacquainted with this recording after picking up a CD copy at a 'oh so trendy' record store in Haight-Ashburry, San Francisco. As I did then, I played the new CD over and over again, completely enraptured by Cobham's 'Ripley's Believe or Not' staccatto drumming and Lee Pastora's smoking Latin percussion. Joined by the Brecker Brothers, George Duke, John Abercrombie, Alex Blake, John Williams, Garnett Brown and other great luminaries of early jazz fusion, Cobham and his willing partners beat and shape a veritable masterpiece. Drive along Big Sur and take in the vast and dramatic California skies and scarred bluffs and you'll begin to undertand what hues of emotions this exquisite recording conjures. Crosswinds alternates between adrenaline musical rushes and absolute sublime chill, creating a perfectly balanced sinuous stream of sound. Simply exquisite!

I got this album as a gift in 1974 when I was 19 years old. My unsuspecting sister had heard the name Billy Cobham, but did not realize what a masterpiece she had placed in my hands. Although a virtuoso drummer with monstrous chops, Billy doesn't let his virtuosity run away with him. Although those looking for impressive drumming will not be disapointed.

His use of time on the the Crosswinds suite, his climactic 'Storm' solo the driving end movement will satisfy drummers, air-drummers and percussion fans. This album exhibits Billy Cobham, composer and arranger. With a dark hues on his palette and a wide brush, Billy paints us quite a seascape. Turtle Beach Santa Cruz Vista Drivers Download. The 'Pleasant Pheasant',one of my favorites, is energetic, driving, exciting and just a little bit funky.

This features an exceptional and rhythmic drum solo. 'Heather', what can I say about 'Heather', hypnotic, seductive, well paced. It starts as a whisper of a siren's song and builds to what to date might be one of Michael Breckers most beautiful and haunting solos. This one is for the headphones, folks. 'Heather' is worth the price of this recording alone. A stellar cast of musicians on this album work in concert and in symbiosis to produce one of the underated recordings in the 'fusion' era.

No pyrothechnics for it's own sake here. Impressive solo's abound within the context of the pieces. John Abercrombie, Michael Brecker, Randy Brecker, Garnett Brown, Lee Pastora.etc., a dream team of musicians. This album should never have been gone this long from the CD shelves/racks/bins of music outlets. Few of Billy's recording measure up to this one in my opinion.

By Tracks Listing Spanish Moss - 'A Sound Portrait': 1. Spanish Moss (4:11) 2. Savannah the Serene (5:14) 3. Storm (2:52) 4. Flash Flood (5:08) 5. Pleasant Pheasant (5:21) 6. Heather (8:40) 7.

Crosswind (3:42) Total Running Time: (35:08) Line-up / Musicians -Billy Cobham/ drums, percussion. - John Williams/ guitar (acoustic), bass (acoustic), bass (electric).

- Randy Brecker/ trumpet. - Garnett Brown/ trombone.

- John Abercrombie/ guitars. - George Duke/ keyboards, vocals. - Lee Pastora / percussions.

George Duke singing on stage in 2010. Background information Born ( 1946-01-12)January 12, 1946, U.S. Died August 5, 2013 ( 2013-08-05) (aged 67) Los Angeles, California, U.S. Genres,,,,,,,, Occupation(s) Musician, composer, musical director, producer, educator Instruments Vocals, piano, synthesizer, saxophone,, flute, bass guitar, trombone Years active 1967–2013 Labels,, /, /,, /,,,,, Associated acts,,,,,,,, Website George Duke (January 12, 1946 – August 5, 2013) was an American musician, known as a keyboard pioneer, composer, singer and producer in both and popular mainstream musical genres. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music.

He first made a name for himself with the album. He was known primarily for thirty-odd solo albums, of which 'A Brazilian Love Affair' from 1980 was his most popular, as well as for his collaborations with other musicians, particularly. Contents • • • • • • • Biography [ ] Early life [ ] George Duke was born in and raised in. It was at the young age of 4 that Duke first became interested in the piano.

His mother took him to see in concert and subsequently told him about this experience. 'I don't remember it too well,' says George, 'but my mother told me I went crazy. I ran around saying 'Get me a piano, get me a piano!'

' He began his formal piano studies at the age of 7, at his local Baptist church. It was those early years that influenced his musical approach and feel, as well as his understanding of how music elicits emotion.

Duke attended in before earning a bachelor's degree in trombone and with a minor in, from the in 1967. Playing initially with friends from garages to local clubs, Duke quickly eased his way into session work, which refined his abilities and expanded his approach to music. He later earned his master's degree in composition from. [ ] Although he started out playing classical music he credited that his cousin for convincing him to switch to jazz. Duke explained that he 'wanted to be free' and Burrell 'more or less made the decision for me' by convincing him to 'improvise and do what you want to do'. Later he taught a course on Jazz And American Culture at in Oakland.

Career [ ] Beginning in 1967 Duke experimented further with, playing and recording with violinist, as well as performing with the, and 's band, while he acquainted himself with. Duke appeared on a number of Zappa's albums through the 1970s. Zappa played guitar solos on Duke's 1974 album, Feel - the instrumental 'Old Slippers', and 'Love' - credited as Obdewl'l X, possibly due to contractual reasons. Duke covered two Zappa-composed songs on his 1975 album, The Aura Will Prevail, - 'Uncle Remus' (co-written with Duke) and 'Echidna's Arf' - that he had played on while a member of The Mothers on Zappa's albums. [ ] A further Zappa connection occurred on Duke's other album from 1975, I Love the Blues She Heard Me Cry - which utilized, Tom Fowler, and Bruce Fowler from Zappa's band that Duke was a part of, along with Zappa-associate and jazz guitarist. Duke served as a record producer and composer on two instrumental tracks on albums: 'Backyard Ritual' (from, 1986) and 'Cobra' (from, 1989).

He worked with a number of Brazilian musicians, including singer, percussionist and singer. And appeared on Duke's late-1970s solo albums Don't Let Go and Master of the Game. [ ] Duke occasionally recorded under the name Dawilli Gonga, possibly for contractual reasons, when appearing on other artists albums, such as Lee Ritenour's Captain Fingers album (1977), Billy Cobham, David Sanborn and others. [ ] Duke was prominent in the genre, releasing funk-based songs like 'Reach for It' and 'Dukey Stick'. In 1979 he traveled to, where he recorded the album A Brazilian Love Affair, on which he employed singers and and percussionist. The album contained music in a wide assortment of genres, including some Latin jazz and jazz-influenced material. From a jazz standpoint, the album's most noteworthy songs include Nascimento's 'Cravo e Canela', 'Love Reborn', and 'Up from the Sea It Arose and Ate Rio in One Swift Bite'.

The track 'Brazilian Sugar' was featured on the 2006 video game. Meanwhile, Nascimento's vocal on the ballad 'Ao Que Vai Nascer' is an example of Brazilian pop at its most sensuous. The 1992 film featured gospel songs and choir produced by George Duke and choir master. George Duke performing on keyboard in 2010. Duke worked as musical director at numerous large-scale musical events, including the tribute concert at, London in 1988. In 1989, he temporarily replaced as musical director of 's late-night music performance program during its first season. Duke was also a judge for the second annual to support independent artists' careers.

Duke worked with on her third studio album,; guesting on the track, '. In the summer of 2011, he put together a trio with and Marcus Miller for a tour across the US of more than 20 sold out shows. Legacy and influence [ ] Duke died August 5, 2013 in Los Angeles from. He was 67 and was survived by his sons, Rashid and John.

He was laid to rest at, following a memorial service. Attendees included notable friends,,,,,, his niece,,,, and.

Duke's songs have been used by a wide variety of contemporary musicians in a wide array of genres. These include: 'I Love You More', sampled by -act for their hit '; 'Guilty', sampled by artist in his song 'Guilty of Love' on. 'For Love', sampled by underground artist on his track 'I Hear Voices'; 'Someday', sampled by hip hop artist/producer for in ' Break My Heart' on his ' album; 'You and Me', sampled and used by / influenced hip hop-producer on the track 'Spirit Of '94' on the album Spirit Of '94: Version 9.0 which he made with; and 'Reach for It', sampled by in ' on his album and in 'In My Neighborhood' on his self-titled debut album, and sampled by W.C. & The Maad Circle (featuring Mack 10 & Ice Cube) in 'West Up' on their 'Curb Servin' album. Utilized Duke's 'My Soul' on the track 'Mingus' from his ' #8: Advanced Jazz' album.

In 2010, Native Instruments released George Duke Soul Treasures, a playable sample library featuring historical recordings of Duke. Duke was nominated for a as for After Hours in 1999.

By popular vote, Duke was inducted into The SoulMusic Hall Of Fame at SoulMusic.com in December 2012. On August 5, 2014, exactly one year after Duke’s death,, Duke’s long-time friend, released an album titled, “My Old Friend: Celebrating George Duke”, as a tribute to his music. The album featured 10 songs, all written by Duke.

Jarreau enlisted,,,,,,,, Duke's niece, and many others to help create this tribute to Duke’s music. The album was released on Concord Records and it garnered the 2015 NAACP Image Award for Outstanding Jazz Album. Discography [ ]. • ^ Artist Biography by Thom Jurek (1946-01-12).. Retrieved 2013-08-06. George Duke Online. Retrieved January 30, 2016.

• Coryell, Julie, and Laura Friedman. Jazz-rock Fusion: the people, the music. Hal Leonard Corporation, 2000. P192 • • ^ Watson, Ben, Frank Zappa: The Negative Dialectics of Poodle Play, St Martin's Press, New York, 1993, p. • I Love the Blues She Heard Me Cry, MPS Records-BAP 5071/BASF 5071/MPS Records MC 25671, 1975, sleeve notes • 'Sunday Night' episodes No.104 (1988), No.113 (1989), No.114 (1989), No.121 (1989) •. Independent Music Awards.

50 Tinten Grijs Boek Pdf. Archived from on July 13, 2011. Retrieved 2013-08-06. Retrieved 2013-08-06. Retrieved 6 August 2013.

Retrieved 2013-02-04. [ ] • Mitchell, Gail (August 5, 2014).. Retrieved January 30, 2016. External links [ ] Wikimedia Commons has media related to.

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