Lee Ritenour Smoke N Mirrors Rar File

This section of a does not any. Please help by adding. Contentious material about living people that is unsourced or poorly sourced must be removed immediately. Find sources: – (October 2016) () Ritenour was born January 11, 1952 in Los Angeles. At 16, he played on his first recording session, with, and was given the nickname Captain Fingers for his dexterity. He was a in the 1970s, winning Guitar Player magazine's Best Studio Guitarist award twice. Throughout his career, Ritenour has experimented with different styles of music, incoprorating, pop, rock,,, and classical music with.

1976–1988 [ ]. The Lee Ritenour Gibson L5 Signature archtop guitar Ritenour's solo career began with the album First Course (1976), which was a good example of the jazz-funk sound of the 1970s. That was followed by, The Captain's Journey (1978), and Feel the Night (1979) In 1979, Ritenour 'was brought in to beef up one of Pink Floyd's ' heaviest rock numbers, '. He also played 'uncredited rhythm guitar' on '. As the 1980s began, Ritenour began to add stronger elements of pop to his music, beginning with Rit in 1981. For this, he kept with his distorted sound, now using his signature model guitar.

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The song 'Is It You', with vocals by reached No. 15 on the Billboard pop chart and No. 27 on the soul chart. The track peaked at number fifteen on chart. He continued with the pop-oriented music for Rit/2 (1982) and Banded Together (1984), while releasing a slick, yet more crossover-styled, instrumental album in 1983 called On the Line. He also provided rhythm guitar on 's hit, Funkin' for Jamaica. In 1985, he recorded his first album for with, entitled Harlequin, featuring Ritenour primarily on classical guitar, with Brazilian singer.

[ ] On Earth Run (1986) he used nine different guitars, most notably the, his Valley Arts guitar, and his Chet Atkins acoustic. The album also featured long-time collaborator for the first time, on the track 'If I'm Dreaming, Don't Wake Me', a song also featuring and who played wicked good (prove it?) on the recording.

Ritenour continued in a direction strongly featuring other artists in 1987, with. The album itself has something of a strong smooth-jazz sound, and Ritenour can be heard here playing with,, and. In 1988, his smooth jazz-influenced Brazilian music came to the forefront with Festival – another album strongly featuring his work on nylon-string acoustic guitars. The following album, Color Rit, continued with a similar mood. He changed direction completely again with his straight-ahead jazz album Stolen Moments. Ritenour played alongside long-time collaborator, saxophonist, pianist, bassist (playing only acoustic) and drummer. During that same year, he performed and composed the theme song of the Canadian TV series.

1990–present [ ]. Toshiba Bluetooth Stack Driver Windows 8 64 Bit. This section of a needs additional for. Please help by adding. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially or harmful.

(October 2016) () In 1991 Ritenour and keyboardist formed the group. He left the group in 1998 and was replaced.

He released the career retrospective Overtime in 2005. Smoke n' Mirrors came out the next year with the debut of his thirteen-year-old son, Wesley, on drums. Celebrating his fifty years as a guitarist in 2010, Ritenour released 6 String Theory, a title that refers to six musical areas covered by the use of guitar.

Ritneour has been a judge for the Independent Music Awards. Discography [ ] Albums [ ] Date Title Label 1976 1977 1977 Epic 1977 JVC 1978 Jasrac 1978 Elektra 1979 1979 1979 Friendship Elektra 1981 Rit Discovery 1982 Rit 2 Discovery 1983 On the Line, with Dave Grusin GRP 1984 Banded Together Discovery 1985, with Dave Grusin GRP 1986 GRP 1987 GRP 1988 GRP 1989 GRP 1990 GRP 1993 GRP 1995 Larry & Lee, with GRP 1997 Alive in L.A. GRP 1998 I.E. Music 1999 2002 GRP 2005 Overtime 2006 Smoke 'n' Mirrors Peak 2008 Amparo, with Dave Grusin Decca 2010 6 String Theory 2012 Rhythm Sessions Concord 2015 A Twist of Rit Concord Charted singles [ ] Date Title Position Chart (US) 1981 Countdown Captain Fingers Cross My Heart 69 1993 Waiting In Vain (ft. ) 54 2007 Smoke 'n' Mirrors 27 Forget Me Nots 14 2010 Shape Of My Heart (Lee Ritenour, & ) 19 Put The Top Down ( ft. Lee Ritenour) 1 2012 Roadtrip ( ft. Lee Ritenour) 3 2013 The Village 3 L.A.

By Bike 15 2015 A Little Bit Of This And A Little Bit Of That 5 With Fourplay [ ] • 1991 • 1993 • 1995 • 1997 Best of Fourplay With L.A. Lee Ritenour. January 24, 2013. Retrieved 2014-06-25. • Blake, Mark (2008).. Da Capo Press.

Retrieved 11 December 2017. • Mabbett, Andy (1995).. Omnibus Press. Retrieved 11 December 2017. September 1995.

Retrieved 2010-07-29. • Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. • Whitburn, Joel (2002).

Top Adult Contemporary: 1961-2001. Record Research. Archived from on July 2, 2010. Retrieved 2010-07-08. Independent Music Awards. Retrieved 2016-08-27. Archived from on June 26, 2009.

Retrieved 2009-05-28. Independent Music Awards. Retrieved 2016-08-27.

Retrieved 2016-08-27. October 17, 1990 – via Amazon. External links [ ] Wikimedia Commons has media related to. Adobe Lightroom Cracked Apk there.

• • NAMM Oral History Program (2014).

True to its intriguing and provocative title, Lee Ritenour's latest CD Smoke N' Mirrors takes listeners on a magical, multi-faceted global journey unlike any other in the legendary guitarist's three decade, nearly 40 album career. Inspired by his very first trip to South Africa in 2005, where he performed five hugely successful concerts at festivals in Johannesburg and Capetown, with Smoke N' Mirrors, Ritenour takes an expansive, polyrhythmic approach, working with musicians from South Africa, Cameroon-West Africa, Brazil, Columbia, Peru and India.

Also joining him on this recording is an exciting mix of old friends who happen to be some of America's top jazz performers. Among those featured are pianists Dave Grusin and Patrice Rushen; drummer Vinnie Colaiuta; along with bassists John Patitiucci, Brian Bromberg, Abraham Laboriel and Richard Bona.

There are eight percussionists on the record including Sheila E., Alex Acuna and Paulinho Da Costa and on tables is Satnam Ramgotra from India. Ever the innovator, Ritenour employs a total of 12 guitars, his most ever, to achieve what can only be described as sonic perfection.

These include the Gibson Lee Ritenour Model and a wide variety of baritone, steel and high string guitars. Smoke N' Mirrors also marks the American recording debut of South African singing sensation Zamajobe on three songs as well as the composing and recording debut of Ritenour's thirteen- year-old son Wesley, a highly talented drummer. Wes adds brushes to Zamajobe's original song, the exotic call and response anthem 'Memeza,' and also composed the graceful melody of the soulful and atmospheric 'Stone Cool.' 'The concept for the album came from a lot of different sources, all of which coalesced with my trip to South Africa,' Ritenour says. 'I'd been getting letters for years asking me to come and perform there. I did a lot of touring throughout the U. S., Asia and Europe during 2005, and everything timed nicely for me to play in Capetown and Johannesburg in late August after my Western European dates.

While the festivals there included some American acts, I was more excited by the native African players and some of the most intoxicating percussion and rhythm guitar playing I'd ever heard. Over the years, I have become more and more attracted to African music, and this trip solidified that connection for me.' Ritenour's title Smoke N' Mirrors has a subtle political connotation, but on the creative side, it refers to some incredibly magical, serendipitous moments that occurred during the conception and recording process. The guitarist 'discovered' the singer Zamajobe - a recent South African New Artist of the Year winner who had just released her hit debut album in that country--one restless night while watching TV in Capetown. He saw several of her videos on South Africa's version of MTV and loved her voice, especially the difference when she sang English (with almost a Sade like quality) to when she performed in her native African language. A., Rit contacted her label Sony BMG and soon was talking via email and phone to her guitar player and producer Eric Pilani.

Through the magic of high speed internet and back and forth MP3 files, Rit was able to get her sensuous vocals on an Africanized version of Bill Withers' 'Lovely Day' and an old school soul jazz take on Patrice Rushen's 'Forget Me Nots' (which also features Rushen on vocals, Fender Rhodes and organ). Smoke N' Mirrors also features Zamajobe's original song 'Memeza,' a shorter version of which appeared on her own album. Another unexpected hookup happened with singer / songwriter Daniel Jobim, grandson of Brazilian legend Antonio Carlos Jobim, whom Ritenour hadn't seen to in years. Rit had been looking for an original, authentic Brazilian tune for the project when he ran into Jobim by chance in L. The multi-talented performer sent Rit an MP3 file of the ultra-romantic 'Blue Days (Dias Azuis').

Lee loved the tune and kept Jobim's original lead vocal on the final track. The song also includes additional lead vocals by Brazilian singing sensation Joyce, Rit on acoustic guitar, Grusin on piano, Patitucci on acoustic bass and Danilo Caymmi's tender flute. Other key tracks on the CD include: the hypnotic title track; a revisit of Grusin's Brazilian flavored 1989 song 'Southwest Passage;' the spirited, guitar-driven songs 'Capetown' and the 'Township,' 'Water's Edge,' which displays Ritenour's genius for masterful fingerstyling; 'Spellbinder,' featuring Bromberg's grooving bass and Indian born tabla master Satnam Ramgotra; and the electric rock-flavored 'Motherland.' Com) Rezensionen 'Ritenour continues his tradition of excellence with Smoke 'n' Mirrors. He is joined by a stellar lineup that includes, among others, Patrice Rushen, John Patitucci, Vinnie Colaiuta and Ritenour's son Wesley.Ritenour is in perfect form throughout, although the guest musicians and vocalists are more out front than usual. Smoke 'n' Mirrors is Lee Ritenour, but it's also the excellent cast of supporting performers—a formula that works well.'

Com) 'While reviewing a Lee Ritenour album one would think that you would spend most of the time focusing on his always magnificent guitar work. This disc has so many sparkling performances from numerous musicians and several vocalists that focusing solely on Ritenour is impossible.I rarely draw influence from another reviewer but one writer referred to this album as “timeless” and I have to agree. This is the most innovative jazz album I have listened to this year.'