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Running time 131 minutes Country United Kingdom Language English Budget $40 million Box office $191.2 million The Living Daylights is a 1987 British and the fifteenth in the to be produced by, and the first to star as the fictional agent. Directed by, the film's title is taken from 's short story '. It was the last film to use the title of an Ian Fleming story until the 2006 instalment.

The film was produced by, his stepson, and his daughter,. The Living Daylights was generally well received by most critics and was also a financial success, grossing $191.2 million worldwide. Brad Whitaker and General Georgi Koskov in Tangier. Is assigned to aid the defection of a officer, General Georgi Koskov, covering his escape from a concert hall in, during intermission. During the mission, Bond notices that the KGB sniper assigned to prevent Koskov's escape is a female cellist from the orchestra. Disobeying his orders to kill the sniper, he instead shoots the rifle from her hands, then uses the to smuggle Koskov across the border into Austria and then on to Britain. In his post-defection debriefing, Koskov informs that the KGB's old policy of, meaning Death to Spies, has been revived by General Leonid Pushkin, the new head of the KGB.

Koskov is later abducted from the safe-house and assumed to have been taken back to. Bond is directed to track down Pushkin in and kill him to forestall further killings of agents and escalation of tensions between the Soviet Union and the West.

Bond agrees to carry out the mission when he learns that the assassin who killed 004 (as depicted in the pre-title sequence) left a note bearing the same message, 'Smiert Spionam'. Bond returns to Bratislava to track down the cellist, Kara Milovy. He determines that Koskov's entire defection was staged, and that Kara is actually Koskov's girlfriend. Bond convinces Kara that he is a friend of Koskov's and persuades her to accompany him to, supposedly to be reunited with him. They escape Bratislava while being pursued by the KGB, crossing over the border into. Meanwhile, Pushkin meets with arms dealer Brad Whitaker in Tangier, informing him that the KGB is cancelling an arms deal previously arranged between Koskov and Whitaker. Cello Case Sled in.

During his brief tryst with Milovy in Vienna, Bond visits the to meet his MI6 ally, Saunders, who discovers a history of financial dealings between Koskov and Whitaker. As he leaves their meeting, Saunders is killed by Koskov's henchman Necros, who again leaves the message 'Smiert Spionam'. Bond and Kara promptly leave for Tangier, where Bond confronts Pushkin.

Pushkin disavows any knowledge of 'Smiert Spionam', and reveals that Koskov is evading arrest for of government funds. Bond and Pushkin then join forces and Bond fakes Pushkin's assassination, inducing Whitaker and Koskov to progress with their scheme. Meanwhile, Kara contacts Koskov, who tells her that Bond is actually a KGB agent and convinces her to drug him so he can be captured. Koskov, Necros, Kara, and the captive Bond fly to a Soviet air base in, where Koskov betrays Kara and imprisons her along with Bond. The pair escape and in doing so free a condemned prisoner, Kamran Shah, leader of the local.

Bond and Milovy discover that Koskov is using Soviet funds to buy a massive shipment of from the Mujahideen, intending to keep the profits with enough left over to supply the Soviets with their arms and buy Western arms from Whitaker. With the Mujahideen's help, Bond plants a bomb aboard the cargo plane carrying the opium, but is spotted and has no choice but to barricade himself in the plane.

Meanwhile, the Mujahideen attack the air base on horseback and engage the Soviets in a gun battle. During the battle, Milovy drives a jeep into the back of the plane as Bond takes off, and Necros also leaps aboard at the last second. After a struggle, Bond throws Necros to his death and deactivates the bomb. Bond then notices Shah and his men being pursued by Soviet forces. He re-activates the bomb and drops it out of the plane and onto a bridge, blowing it up and helping Shah and his men gain an important victory over the Soviets. Digital Anarchy Flickr Free Crack Lil. Bond returns to Tangier to kill Whitaker, infiltrating his estate with the help of his ally, as Pushkin arrests Koskov, sending him back to Moscow. Some time later, Kara is the solo cellist in a London performance.

Kamran Shah and his men arrive during the intermission and are introduced to now-diplomat General Gogol and the Russians. After her performance, Bond surprises Kara in her dressing room, and they embrace. Cast [ ] • as: an MI6 agent assigned to look into the deaths of and conspiracies against several of his allies.

• as Kara Milovy: Koskov's girlfriend and later Bond's love interest. • as: An American arms dealer and self-styled general. Baker called his character 'a nut' who 'thought he was '.

• as General Leonid Pushkin: The new head of the, replacing General Gogol. • as Kamran Shah: a leader in the Afghan Mujahideen. • as General Georgi Koskov: Whitaker's ally and a renegade Soviet general.

• as: Koskov's, who poses repeated threats to Bond. • Thomas Wheatley as: Bond's ally. • as: The head of MI6 and Bond's superior. • as: MI6's 'quartermaster', who supplies Bond with multi-purpose vehicles and gadgets useful in the latter's mission. • as: The British Minister of Defence • as: M's secretary. • as: A agent and ally to Bond.

• as: The retired head of the KGB, now a diplomat shown in a cameo at the end of the film. • as Rubavitch: General Leonid Pushkin's mistress in Morocco • as: James Bond's contact in, who works at the TransSiberian Pipeline. • and as Liz and Ava: two CIA agents assisting Felix Leiter. • cameos as a police chief in. Sawalha also appeared in a previous 007 film, (1977), as. Production [ ] Originally the film was proposed to be a in the series, an idea that eventually resurfaced with the of the series in 2006., the fictionalised Soviet counterintelligence agency that featured in Fleming's and several other early James Bond novels, was an acronym for Smiert Shpionam – 'Death to spies'. Casting [ ] In autumn 1985, following the financial and critical disappointment of, work began on scripts for the next Bond film, with the intention that would not reprise the role of James Bond.

Moore, who by the time of the release of The Living Daylights would have been 59 years old, chose to retire from the role after 12 years and 7 films. Albert Broccoli, however, claimed that he let Moore go from the role. An extensive search for a new actor to play Bond saw a number of actors, including New Zealander, Irish-born and Welshman audition for the role in 1986. Bond co-producer Michael G. Wilson, director John Glen, Dana and 'were impressed with Sam Neill and very much wanted to use him.'

However, Albert Broccoli was not sold on the actor. The official car, the, at a James Bond convention. The producers eventually offered the role to Brosnan after a three-day screen-test. At the time, he was contracted to the television show which had been canceled by the network due to falling ratings.

The announcement that he would be chosen to play James Bond caused a surge in interest in the series, which led to NBC exercising (less than three days prior to expiry) a 60-day option in Brosnan's contract to make a further season of the show. NBC's action caused drastic repercussions, as a result of which Albert Broccoli withdrew the offer given to Brosnan, citing that he did not want the character associated with a contemporary TV series. This led to a drop in interest in Remington Steele, and only five new episodes were filmed before the show was finally cancelled. The edict from Broccoli was that ' Remington Steele will not be James Bond.' Dana Broccoli suggested Timothy Dalton. Albert Broccoli was initially reluctant given Dalton's public lack of interest in the role, but at his wife's urging agreed to meet the actor. However Dalton would soon begin filming and so would be unavailable.

In the intervening period, having completed Brenda Starr, [ – ] Dalton was offered the role once again, which he accepted. For a period, the filmmakers had Dalton, but he had not signed a contract. A casting director persuaded, an English actor who would become known for his roles in,, and to audition for Bond. Bathurst believes that his 'ludicrous audition' was only 'an arm-twisting exercise' because the producers wanted to persuade Dalton to take the role by telling him they were still auditioning other actors. The English actress Maryam d'Abo, who was also a former model, was cast as the Czechoslovakian cellist Kara Milovy.

In 1984, d'Abo had attended auditions for the role of Pola Ivanova in A View to a Kill. Barbara Broccoli included d'Abo in the audition for playing Kara, which she later passed. Originally, the KGB general set up by Koskov was to be; however, Walter Gotell was too sick to handle the major role, and the character of Leonid Pushkin replaced Gogol, who appears briefly at the end of the film, having transferred to the Soviet diplomatic service.

This was Gogol's final appearance in a James Bond film., the lead vocalist of the Norwegian rock group (which performed the film's title song), was offered a small role as a villain's henchman in the film, but declined, because of lack of time and because he felt they wanted to cast him due to his popularity rather than his acting. Director decided to include the from.

It can be seen squawking in the kitchen of Blayden House when Necros attacks MI6's officers. Other actors considered for the role of James Bond included,,,,,, and.

Main article: The Living Daylights was the final Bond film to be scored by composer. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra—at the time, a relatively new innovation. The title song of the film, ', was co-written with of the Norwegian pop-music group and recorded by the band.

The group and Barry did not collaborate well, resulting in two versions of the theme song. Barry's film mix is heard on the soundtrack (and on A-ha's later greatest hits album Headlines and Deadlines). The version preferred by the band can be heard on the 1988 A-ha album. However, in 2006 Paul Waaktaar-Savoy complimented Barry's contributions: 'I loved the stuff he added to the track, I mean it gave it this really cool string arrangement. That's when for me it started to sound like a Bond thing'. The title song is one of the few 007 title songs that is not performed or written by a British or American performer.

In a departure from previous Bond films, The Living Daylights was the first to use different songs over the opening and end credits. The song heard over the end credits, 'If There Was a Man', was one of two songs performed for the film by of. The other song, ', is heard from Necros's in the film. The Pretenders were originally considered to perform Daylights' title song.

However, the producers had been pleased with the commercial success of 's 'A View to a Kill', and felt that A-ha would be more likely to make an impact on the charts. The original soundtrack release was released on LP and CD by Warner Bros. And featured only 12 tracks. Later re-releases by and added nine additional tracks, including alternate instrumental end credits music. Rykodisc's version included the and opening sequence of the film as well as the jailbreak sequence, and the bombing of the bridge.

Additionally, the film featured a number of pieces of classical music, as the main, Kara Milovy, is a cellist. 's (1st movement) is performed by the orchestra at the Conservatoire in Bratislava when Koskov flees.

As Moneypenny tells Bond, Kara is next to perform 's String Quartet in D major, and the finale to Act II of Mozart's The Marriage of Figaro (in Vienna) also features. Before Bond is drugged by Kara, she is practising the Cello solo from the first movement of.

At the end of the film, Kara and an orchestra (conducted onscreen by John Barry) perform 's to rapturous applause. Release and reception [ ] The and attended the film's premiere on 29 June 1987 at the in London. The Living Daylights grossed the equivalent of $191.2 million worldwide. In the United States it earned $51,185,000, including an opening weekend of $11,051,284, surpassing the $5 million grossed by that was released on the same day. In the film, Koskov and Whitaker repeatedly use vehicles and drug packets marked with the. This action angered a number of Red Cross Societies, which sent letters of protest regarding the film. In addition, the attempted to prosecute the filmmakers and distributors.

However, no legal action was taken. As a result, a disclaimer was added at the start of the film and some DVD releases.

The Living Daylights has a 'Fresh' score of 70% on based on 50 reviews. Lauded the film for bringing back realism and espionage to the film series, and showing James Bond's dark side. Even said Dalton developed 'the best Bond ever.' Of the criticised the lack of humour in the protagonist, however, while of wrote of Dalton's Bond that 'you get the feeling that on his off nights, he might curl up with the and catch an episode of '.

See also [ ].